The Collections
Not a print shop. A curated museum.
Opposia™ is organized the way a gallery is organized — by era, by geography, by the questions each work asks. Every collection gathers masterpieces that share a world, and shows you the side of that world you were never meant to see.
The Renaissance Collection
The masterpieces that taught the world how to look — reframed from the side history left in shadow.
Dutch Baroque
The classical scenes painted in Amsterdam's Golden Age — myth staged on Mediterranean shores, seen from the other side.
Grand Interiors
Vast painted spaces — reconstructed from the vantage point of the visitor who was never in the picture.
Belle Époque Paris
Gaslight on wet cobblestones — the boulevards, cafés and monuments painted by Édouard Léon Cortès and the Paris school.
La Porte Saint-Denis, Parisafter Édouard Léon Cortès — c. 1925
Théâtre du Vaudeville at Duskafter Édouard Léon Cortès — c. 1925
Place de l'Opéra at Nightafter Édouard Léon Cortès — c. 1925
Notre-Dame in Winterafter Édouard Léon Cortès — c. 1925
Champs-Élysées in Autumnafter Édouard Léon Cortès — c. 1925
La Madeleine in Springafter Édouard Léon Cortès — c. 1925
Boulevard Montmartre in the Rainafter Édouard Léon Cortès — c. 1925
The Eiffel Tower from the Trocadéroafter Édouard Léon Cortès — c. 1925
Impressionist & Modern
Van Gogh, Monet, Klimt, Hokusai, Munch — the moderns who broke colour loose from line.
American Icons
The images America grew up with — turned around to reveal the room, the road, the moment beyond the frame.
Figures in the Round
Works made to be walked around. Opposia™ reframes each sculpture around what the figure itself is looking at.
Coming Soon
Works in research and reconstruction. Signed, numbered, and released as each piece is finished.
- The Creation of Adam — Michelangelo
- The Night Watch — Rembrandt
- Historical Moments — reverse-view photographs
Opposia™ — the art of the other side
Enter the gallery